At the start of the narrative, Harvey Bope engages in a conversation with his sister Eleanor about the detrimental impact of violent toys on children’s behavior. They discuss an initiative by the National Peace Council which encourages parents to buy peaceful alternatives. When Harvey arrives to bring gifts for his nephews, the children's anticipation is comically met with underwhelming, mundane toys like models of municipal buildings and figures of historical civilians, which fail to capture their interest. Instead of adopting the peaceful play suggested by Harvey, the boys creatively reinterpret their new toys, transforming them into participants in chaotic historical reenactments, ultimately demonstrating that deep-rooted instincts for conflict can hardly be quelled by the absence of guns and battles. This opening sets up Saki's exploration of societal values, childhood innocence, and the often humorous disconnect between intention and outcome. (This is an automatically generated summary.)